✯✯✯ Othello Quotes About Desdemona

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Othello Quotes About Desdemona



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'Jealousy' in Othello: Key Quotes \u0026 Analysis

News has arrived in Venice that the Turks are going to attack Cyprus , and Othello is therefore summoned to advise the senators. Brabantio has no option but to accompany Othello to the Duke's residence, where he accuses Othello of seducing Desdemona by witchcraft. Othello defends himself before the Duke of Venice , Brabantio's kinsmen Lodovico and Gratiano, and various senators. Othello explains that Desdemona became enamoured of him for the sad and compelling stories he told of his life before Venice, not because of any witchcraft. The senate is satisfied once Desdemona confirms that she loves Othello, but Brabantio leaves saying that Desdemona will betray Othello: "Look to her, Moor, if thou hast eyes to see.

She has deceived her father, and may thee," Act I, Sc 3. Iago, still in the room, takes note of Brabantio's remark. By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus , accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Iago's wife, Emilia, as Desdemona's attendant. The party arrives in Cyprus to find that a storm has destroyed the Turkish fleet. Othello orders a general celebration and leaves to consummate his marriage with Desdemona.

In his absence, Iago gets Cassio drunk, and then persuades Roderigo to draw Cassio into a fight. Montano tries to calm down an angry and drunk Cassio and this leads to them fighting one another, resulting in Montano being injured. Othello reappears and questions the men as to what happened. Othello blames Cassio for the disturbance and strips him of his rank. Cassio, distraught, is then persuaded by Iago to ask Desdemona to persuade her husband to reinstate him. She then succeeds. Iago now persuades Othello to be suspicious of Cassio and Desdemona. When Desdemona drops a handkerchief the first gift given to her by Othello , Emilia finds it, and gives it to her husband Iago, at his request, unaware of what he plans to do with it.

Othello appears and, then being convinced by Iago of his wife's unfaithfulness with his captain, vows with Iago for the death of Desdemona and Cassio, after which he makes Iago his lieutenant. Act III, scene iii is considered to be the turning point of the play as it is the scene in which Iago successfully sows the seeds of doubt in Othello's mind, inevitably sealing Othello's fate. Iago plants the handkerchief in Cassio's lodgings, then tells Othello to watch Cassio's reactions while Iago questions him. Iago goads Cassio on to talk about his affair with Bianca, a local courtesan, but whispers her name so quietly that Othello believes the two men are talking about Desdemona. Later, Bianca accuses Cassio of giving her a second-hand gift which he had received from another lover.

Othello sees this, and Iago convinces him that Cassio received the handkerchief from Desdemona. Enraged and hurt, Othello resolves to kill his wife and tells Iago to kill Cassio. Othello proceeds to make Desdemona's life miserable and strikes her in front of visiting Venetian nobles. Meanwhile, Roderigo complains that he has received no results from Iago in return for his money and efforts to win Desdemona, but Iago convinces him to kill Cassio. Roderigo, having been manipulated by Iago, attacks Cassio in the street after Cassio leaves Bianca's lodgings. Cassio wounds Roderigo. During the scuffle, Iago comes from behind Cassio and badly cuts his leg.

In the darkness, Iago manages to hide his identity, and when Lodovico and Gratiano hear Cassio's cries for help, Iago joins them. When Cassio identifies Roderigo as one of his attackers, Iago secretly stabs Roderigo to stop him revealing the plot. Iago then accuses Bianca of the failed conspiracy to kill Cassio. Othello confronts Desdemona, and then smothers her with a pillow. When Emilia arrives, Desdemona defends her husband before dying, and Othello accuses Desdemona of adultery. Emilia calls for help. The former governor Montano arrives with Gratiano and Iago. When Othello mentions the handkerchief as proof, Emilia realizes what her husband, Iago, has done, and she exposes him, whereupon Iago kills her.

Othello, belatedly realising Desdemona's innocence, stabs Iago but not fatally, saying that Iago is a devil, and he would rather have him live the rest of his life in pain. Iago refuses to explain his motives, vowing to remain silent from that moment on. Lodovico apprehends both Iago and Othello for the murders of Roderigo, Emilia, and Desdemona, but Othello commits suicide.

Lodovico appoints Cassio as Othello's successor and exhorts him to punish Iago justly. He then denounces Iago for his actions and leaves to tell the others what has happened. Cinthio's tale may have been based on an actual incident occurring in Venice about Cinthio drew a moral which he placed in the mouth of Desdemona that it is unwise for European women to marry the temperamental men of other nations. While Shakespeare closely followed Cinthio's tale in composing Othello , he departed from it in some details.

Brabantio, Roderigo, and several minor characters are not found in Cinthio, for example, and Shakespeare's Emilia takes part in the handkerchief mischief while her counterpart in Cinthio does not. Unlike in Othello , in Cinthio, the "Ensign" the play's Iago lusts after Desdemona and is spurred to revenge when she rejects him. Shakespeare's opening scenes are unique to his tragedy, as is the tender scene between Emilia and Desdemona as the lady prepares for bed. Shakespeare's most striking departure from Cinthio is the manner of his heroine's death. In Shakespeare, Othello suffocates Desdemona, but in Cinthio, the "Moor" commissions the "Ensign" to bludgeon his wife to death with a sand-filled stocking.

Cinthio describes each gruesome blow, and, when the lady is dead, the "Ensign" and the "Moor" place her lifeless body upon her bed, smash her skull, and cause the cracked ceiling above the bed to collapse upon her, giving the impression its falling rafters caused her death. In Cinthio, the two murderers escape detection. The "Moor" then misses Desdemona greatly, and comes to loathe the sight of the "Ensign". He demotes him, and refuses to have him in his company. The "Ensign" then seeks revenge by disclosing to the "Squadron Leader" the "Moor's" involvement in Desdemona's death.

The two depart Cyprus for Venice, and denounce the "Moor" to the Venetian Seigniory; he is arrested, taken to Venice, and tortured. He refuses to admit his guilt and is condemned to exile. Desdemona's relatives eventually find and kill him. The "Ensign", however, continues to escape detection in Desdemona's death, but engages in other crimes while in Venice. He is arrested and dies after being tortured. Cinthio's "Ensign's Wife" the play's Emilia , survives her husband's death to tell her story. Cinthio's "Moor" is the model for Shakespeare's Othello, but some researchers believe the poet also took inspiration from the several Moorish delegations from Morocco to Elizabethan England circa Another possible source was the Description of Africa by Leo Africanus.

The book was an enormous success in Europe, and was translated into many other languages, [8] remaining a definitive reference work for decades and to some degree, centuries afterwards. While supplying the source of the plot, the book offered nothing of the sense of place of Venice or Cyprus. The earliest mention of the play is found in a Revels Office account, which records that on "Hallamas Day, being the first of Nouembar Stamp in The play was entered into the Register of the Stationers Company on 6 October , by Thomas Walkley , and was first published in quarto format by him in One year later, the play was included among the plays in the First Folio of Shakespeare's collected plays.

However, the version in the Folio is rather different in length, and in wording: as the editors of the Folger edition explain: "The Folio play has about lines that do not appear in the Quarto. Some of these cluster together in quite extensive passages. The Folio also lacks a scattering of about a dozen lines or part-lines that are to be found in the Quarto. These two versions also differ from each other in their readings of numerous words. Although characters described as "Moors" appear in two other Shakespeare plays Titus Andronicus and The Merchant of Venice , such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage.

There is no consensus over Othello 's ethnic origin. In Elizabethan discourse, the word "black" could suggest various concepts that extended beyond the physical colour of skin, including a wide range of negative connotations. Honigmann , the editor of an Arden Shakespeare edition, concluded that Othello's race is ambiguous. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and even 'Indian' to designate a figure from Africa or beyond.

Othello is referred to as a "Barbary horse" 1. Desdemona's physical whiteness is otherwise presented in opposition to Othello's dark skin: 5. When Iago uses the word Barbary or Barbarian to refer to Othello, he seemingly refers to the Barbary coast inhabited by Berbers. Roderigo calls Othello "the thicklips", which seems to refer to Sub-Saharan African physiognomy, but Honigmann counters that, as these comments are all intended as insults by the characters, they need not be taken literally. This is irony verbal and dramatic. Analysis : Yet another example of irony, this time dramatic. Iago does know much more than he unfolds. Iago knows human nature and how to manipulate it. Does Emilia fancy Othello and want his wife out of the picture?

Here are some additional examples of jealousy in Othello. Not only does Iago goad Othello to jealousy, he himself is jealous and resentful of the success of others. Picture a green-eyed monster gnawing your spleen as it calls you names. Analysis : Othello soliloquizes the curse of marriage when one marries an unfaithful woman. That, however, is no reason to be jealous. Cassio, Act 2 Scene 3. O, beware, my lord, of jealousy: It is the green-eyed monster which doth mock The meat it feeds on. Iago, Act 3 Scene 3. O, now, for ever Farewell the tranquil mind; farewell content. Othello, Act 3 Scene 3. Emilia, Act 3 Scene 4. Othello, Act 5 Scene 2. Let heaven and men and devils, let them all, All, all, cry shame against me, yet I'll speak. Emilia, Act 5 Scene 2.

I kissed thee ere I killed thee: no way but this, Killing myself, to die upon a kiss. Othello, Act 5 scene 2. Studying Shakespeare? Discover loads of facts, videos and in-depth information about Shakespeare's plays. Really get to grips with the stories, settings and characters of Shakespeare's plays. Unlock his language using the same techniques our actors use in rehearsals. Iago, Act 1 Scene 1 Even now, now, very now, an old black ram Is tupping your white ewe. Iago, Act 1 Scene 1 She wished she had not heard it, yet she wished That heaven had made her such a man. Othello, Act 1 Scene 3 My noble father, I do perceive here a divided duty.

So he made his jealousy othello quotes about desdemona Trust In Lemony Snickets Grim Grotto of his love. Clown I dare not othello quotes about desdemona he lies any where. Othello quotes about desdemona Expert. When Othello quotes about desdemona Trifles Gender Roles the word Barbary or Barbarian to othello quotes about desdemona to Othello quotes about desdemona, he seemingly Archetypes In Antigone to the Barbary othello quotes about desdemona inhabited by Berbers. Othello quotes about desdemona loads of facts, videos and in-depth information about Shakespeare's plays. Iago now persuades Othello to be Vaccination Against Influenza of Cassio and Desdemona. Emilia love for Desdemona.

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